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During one of the darkest periods of U.S. history, when white supremacy was entrenching itself throughout the nation, the white writer-jurist-activist Albion W. Tourgee (1838-1905) forged an extraordinary alliance with African Americans. Acclaimed by blacks as "one of the best friends of the Afro-American people this country has ever produced" and reviled by white Southerners as a race traitor, Tourgee offers an ideal lens through which to reexamine...
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The first African American to publish a book in the South, the author of the first female slave narrative in the United States, the father of black nationalism in America--these and other founders of African American literature have a surprising connection to one another: they all hailed from the state of North Carolina.This collection of poetry, fiction, autobiography, and essays showcases some of the best work of eight influential African American...
223) Writing Reconstruction: Cuban Musicians And The Making Of Latino New York City And Miami, 1940-1960
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After the Civil War, the South was divided into five military districts occupied by Union forces. Out of these regions, a remarkable group of writers emerged. Experiencing the long-lasting ramifications of Reconstruction firsthand, many of these writers sought to translate the era's promise into practice. In fiction, newspaper journalism, and other forms of literature, authors including George Washington Cable, Albion Tourgee, Constance Fenimore Woolson,...
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Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States...
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This is a story of art and movement building at the limits of imagination. In their darkest hours, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, but forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces "cooperatives," local challenges to global capital, where people pooled...
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These thirty-four letters, written by members of the William Ellison family, comprise the only sustained correspondence by a free Afro-American family in the late antebellum South. Born a slave, Ellison was freed in 1816, set up a cotton gin business, and by his death in 1861, he owned sixty-three slaves and was the wealthiest free black in South Carolina. Although the early letters are indistinguishable from those of white contemporaries, the later...
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The culmination of William Wells Brown's long writing career, My Southern Home is the story of Brown's search for a home in a land of slavery and racism. Brown (1814-84), a prolific and celebrated abolitionist and writer often recognized as the first African American novelist for his Clotel (1853), was born enslaved in Kentucky and escaped to Ohio in 1834. In this comprehensive edition, John Ernest acts as a surefooted guide to this seminal work,...
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As Manifest Destiny took hold in the national consciousness, what did it mean for African Americans who were excluded from its ambitions for an expanding American empire that would shepherd the Western Hemisphere into a new era of civilization and prosperity? R. J. Boutelle explores how Black intellectuals like Daniel Peterson, James McCune Smith, Mary Ann Shadd, Henry Bibb, and Martin Delany engaged this cultural mythology to theorize and practice...
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The decades following the civil rights and decolonization movements of the sixties and seventies-termed the post-soul era-created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of "Black aesthetic time"-a multipronged theoretical...
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In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture...
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As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counter history: an approach to history that would present both the necessity of and the means for the liberation of the oppressed. In Liberation Historiography, John Ernest demonstrates that African Americans created a body of writing in which the spiritual, the historical, and...
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Martin R. Delany (1812-85) has been called the "Father of Black Nationalism," but his extraordinary career also encompassed the roles of abolitionist, physician, editor, explorer, politician, army officer, novelist, and political theorist. Despite his enormous influence in the nineteenth century, and his continuing influence on black nationalist thought in the twentieth century, Delany has remained a relatively obscure figure in U.S. culture, generally...
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In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois' book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century.
Demonstrating the importance of the work as a sociohistorical...
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In this study of racial passing literature, Julia S. Charles highlights how mixed-race subjects invent cultural spaces for themselves-a place she terms that middle world-and how they, through various performance strategies, make meaning in the interstices between the Black and white worlds. Focusing on the construction and performance of racial identity in works by writers from the antebellum period through Reconstruction, Charles creates a new discourse...
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In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal...
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For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative,...
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In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement...
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